Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 56
... quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than ...
... quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than ...
Pagina 79
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
Pagina 83
... orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go ...
... orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words