Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 25
... range of asthetic phenomena , even admitting that this range is as broad as we have been indicating , is art in its greatest manifestations . THE FIELD OF ÆSTHETICS 25.
... range of asthetic phenomena , even admitting that this range is as broad as we have been indicating , is art in its greatest manifestations . THE FIELD OF ÆSTHETICS 25.
Pagina 135
... range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is ... range of hues related to all the other points in that range , to 135 apprehend a degree of brightness and a degree of ...
... range of hues and in a single ordered series of degrees of brightness . And to hear a note at a particular pitch is ... range of hues related to all the other points in that range , to 135 apprehend a degree of brightness and a degree of ...
Pagina 168
... range . A very possible stretching of our powers is all that is required to apprehend their works in their actual deter- minate character . We do not have to know the whole range of technical possibilities , or how to select from this range ...
... range . A very possible stretching of our powers is all that is required to apprehend their works in their actual deter- minate character . We do not have to know the whole range of technical possibilities , or how to select from this range ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words