AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 135
We have taken as a basis sensory elements systematically related in ordered
ranges or manifolds to which they belong by ... of brightness ) , we find the whole
range of sounds or colors serially ordered with reference to these aspects of them
.
We have taken as a basis sensory elements systematically related in ordered
ranges or manifolds to which they belong by ... of brightness ) , we find the whole
range of sounds or colors serially ordered with reference to these aspects of them
.
Pagina 166
If that whole is a feeling totally out of the range of our powers , because it is
conditioned by a complex of processes that we cannot attain even with the fully
determinate physical character of the object to guide the articulation of our
response ...
If that whole is a feeling totally out of the range of our powers , because it is
conditioned by a complex of processes that we cannot attain even with the fully
determinate physical character of the object to guide the articulation of our
response ...
Pagina 168
Since , however , artists are human organisms expressing humanly available
feelings , what stands between us and what they express is , in the case of
contemporary artists , only their more gifted discernment and their greater range .
A very ...
Since , however , artists are human organisms expressing humanly available
feelings , what stands between us and what they express is , in the case of
contemporary artists , only their more gifted discernment and their greater range .
A very ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole