Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 14
... relations , but any sort of systematic structure , the nature of which is capable of being discriminated as a complex of relations among elements . If , then , qualities have relations , and if these are systematic relations through ...
... relations , but any sort of systematic structure , the nature of which is capable of being discriminated as a complex of relations among elements . If , then , qualities have relations , and if these are systematic relations through ...
Pagina 15
... relations as are in- dependent of the spatio - temporal and mathematical rela- tions of the natural sciences . To show that one kind of relation is independent of an- other , all that we need do is exhibit variation in a pattern ...
... relations as are in- dependent of the spatio - temporal and mathematical rela- tions of the natural sciences . To show that one kind of relation is independent of an- other , all that we need do is exhibit variation in a pattern ...
Pagina 137
... relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ... relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited by the ...
... relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ... relations as constituents of the plane that it is in , which is made up of such relations . The relations exhibited by the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words