AEsthetic Analysis |
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Risultati 1-3 di 62
Pagina 14
and logic studies not merely the specifically “ mathematical ” relations , but any
sort of systematic structure , the nature of which is capable of being discriminated
as a complex of relations among elements . If , then , qualities have relations ...
and logic studies not merely the specifically “ mathematical ” relations , but any
sort of systematic structure , the nature of which is capable of being discriminated
as a complex of relations among elements . If , then , qualities have relations ...
Pagina 15
To show that one kind of relation is independent of another , all that we need do
is exhibit variation in a pattern ... only exhibit two different color structures which
are spatially the same and which are themselves complexes of color relations .
To show that one kind of relation is independent of another , all that we need do
is exhibit variation in a pattern ... only exhibit two different color structures which
are spatially the same and which are themselves complexes of color relations .
Pagina 137
Hence their relation is itself related to all the other relations in the series , and , as
concretely exhibited , becomes necessarily and for direct apprehension a
constituent of a structure when any other such elements are selected and added
to the ...
Hence their relation is itself related to all the other relations in the series , and , as
concretely exhibited , becomes necessarily and for direct apprehension a
constituent of a structure when any other such elements are selected and added
to the ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole