Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 37
... relevant . Thus all analysis runs risks . Gaining knowledge is an experimental venture , not a dream , nor a logical demon- stration . And if we are to get knowledge in the field that we have suggested as that of asthetics , we shall ...
... relevant . Thus all analysis runs risks . Gaining knowledge is an experimental venture , not a dream , nor a logical demon- stration . And if we are to get knowledge in the field that we have suggested as that of asthetics , we shall ...
Pagina 142
... relevant to a purpose or interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to ...
... relevant to a purpose or interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to ...
Pagina 175
... relevant and full knowledge of art in general , and of individual works of art in particular , is æsthetic analysis ... relevance to the specific work in question , only if the conditioning discriminatory processes of the organism are ...
... relevant and full knowledge of art in general , and of individual works of art in particular , is æsthetic analysis ... relevance to the specific work in question , only if the conditioning discriminatory processes of the organism are ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words