AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 37
But if our object was to reach the town at the other end , the presence of flood
waters would be highly relevant . Thus all analysis runs risks . Gaining
knowledge is an experimental venture , not a dream , nor a logical demonstration
. And if we ...
But if our object was to reach the town at the other end , the presence of flood
waters would be highly relevant . Thus all analysis runs risks . Gaining
knowledge is an experimental venture , not a dream , nor a logical demonstration
. And if we ...
Pagina 142
We wish to convey to some one a fact or an explanation relevant to a purpose or
interest of his or of our own . We wish to give directions , or to record an
experience as bearing upon a matter of common concern , to communicate this
piece of ...
We wish to convey to some one a fact or an explanation relevant to a purpose or
interest of his or of our own . We wish to give directions , or to record an
experience as bearing upon a matter of common concern , to communicate this
piece of ...
Pagina 179
Perhaps we have already indicated this relevance ; but the matter is important
enough for a little more explicit consideration . Ęsthetic objects necessarily fulfill
two requirements . One of these is that they be coherent enough to be single ...
Perhaps we have already indicated this relevance ; but the matter is important
enough for a little more explicit consideration . Ęsthetic objects necessarily fulfill
two requirements . One of these is that they be coherent enough to be single ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole