Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 20
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the aesthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the aesthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
Pagina 142
... response or set of responses . The function of a vast deal of our ordinary linguistic discourse is nothing but the call- ing out of such responses , eventually in overt behavior . We wish to convey to some one a fact or an explanation ...
... response or set of responses . The function of a vast deal of our ordinary linguistic discourse is nothing but the call- ing out of such responses , eventually in overt behavior . We wish to convey to some one a fact or an explanation ...
Pagina 154
... response totally caught up and directed in an object sufficiently complex to engage its whole attentive interest . Hence the response has full emo- tional character , as well as the more strictly intellectual character involved in ...
... response totally caught up and directed in an object sufficiently complex to engage its whole attentive interest . Hence the response has full emo- tional character , as well as the more strictly intellectual character involved in ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words