AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 20
What is given to full , unwandering , vital response , without penetration through
and beyond the qualitative felt presence defined by the object , is exactly the
ęsthetic aspect of the world at the moment . What penetrates and goes beyond is
...
What is given to full , unwandering , vital response , without penetration through
and beyond the qualitative felt presence defined by the object , is exactly the
ęsthetic aspect of the world at the moment . What penetrates and goes beyond is
...
Pagina 142
monly in imaginal and emotional content — to those familiar with the language
used , or the cue to some indicated response or set of responses . The function of
a vast deal of our ordinary linguistic discourse is nothing but the calling out of ...
monly in imaginal and emotional content — to those familiar with the language
used , or the cue to some indicated response or set of responses . The function of
a vast deal of our ordinary linguistic discourse is nothing but the calling out of ...
Pagina 143
As our response is integral to the process conditioning the world ' s appearance
in all of its aspects , so the emotionally conditioned or conditioning aspects of our
response condition its emotional character . Hence its emotional character , its ...
As our response is integral to the process conditioning the world ' s appearance
in all of its aspects , so the emotionally conditioned or conditioning aspects of our
response condition its emotional character . Hence its emotional character , its ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole