Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 93
... rhythm . But in the scheme that we have been expounding there is , besides this reason , the need for some exhibition of temporal order and temporal patterns on their own account . For what we have so far made out with any degree of ...
... rhythm . But in the scheme that we have been expounding there is , besides this reason , the need for some exhibition of temporal order and temporal patterns on their own account . For what we have so far made out with any degree of ...
Pagina 108
... rhythm , or a two - rhythm , mean- ing by the three or the two the number of main subdivisions of the measure itself , the length of which ( a duration ) characterizes the rhythm as swift or slow . In verse at any rate swiftness and ...
... rhythm , or a two - rhythm , mean- ing by the three or the two the number of main subdivisions of the measure itself , the length of which ( a duration ) characterizes the rhythm as swift or slow . In verse at any rate swiftness and ...
Pagina 129
... rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has at least a temporal pattern not made up of five beats , or five meas- ures , nor of ten syllables ...
... rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has at least a temporal pattern not made up of five beats , or five meas- ures , nor of ten syllables ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words