Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 112
... rhythmical structure . We have seen that temporal pattern is definitely the whole of rhythm in any of its manifestations . The very character of expectancy involving tension and relaxation , with ictus or accent , takes on its felt ...
... rhythmical structure . We have seen that temporal pattern is definitely the whole of rhythm in any of its manifestations . The very character of expectancy involving tension and relaxation , with ictus or accent , takes on its felt ...
Pagina 125
... rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the measure of ...
... rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the measure of ...
Pagina 132
... rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2.3 Protes 6 6 live and I will live Thy 4 5 6 123 4 6 - ( or ) tant to be ...
... rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2.3 Protes 6 6 live and I will live Thy 4 5 6 123 4 6 - ( or ) tant to be ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words