Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 39
... scheme of pitch intervals ; musical analysis so - called refers entirely to this abstract scheme . This does not make musicians neglect rhythm or the timbres of in- struments or differences in loudness and softness . But what musical ...
... scheme of pitch intervals ; musical analysis so - called refers entirely to this abstract scheme . This does not make musicians neglect rhythm or the timbres of in- struments or differences in loudness and softness . But what musical ...
Pagina 40
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
... scheme . And it would be impossible to generalize were not the particular elements so related , in definitely indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed ...
Pagina 76
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
... scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations or pitch intervals . This is a scheme not discernible anywhere but ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words