AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 59
Pagina xv
in the sense that a receptacle is separate . This degree of identification between
form and feeling departs quite noticeably from Santayana , because even if his
form as " first term " and feeling as “ second term ” are invested with equal status ...
in the sense that a receptacle is separate . This degree of identification between
form and feeling departs quite noticeably from Santayana , because even if his
form as " first term " and feeling as “ second term ” are invested with equal status ...
Pagina 6
It is not merely distinguished by one of the senses , but felt emotionally in its full
present character . ... our attention being on a situation not here and now given
through sense , but called up in relation to something that we want to do or to
have ...
It is not merely distinguished by one of the senses , but felt emotionally in its full
present character . ... our attention being on a situation not here and now given
through sense , but called up in relation to something that we want to do or to
have ...
Pagina 113
Those who speak of a rhythm of sense as well as a rhythm of sound merely
confuse issues by confusing terms and their meanings . Rhythm is not divorced
from sense ; but if it is to be apprehended through sound , then we should show
how ...
Those who speak of a rhythm of sense as well as a rhythm of sound merely
confuse issues by confusing terms and their meanings . Rhythm is not divorced
from sense ; but if it is to be apprehended through sound , then we should show
how ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole