Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 44
... sensory elements in relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are ...
... sensory elements in relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are ...
Pagina 138
... sensory variations are then the essential basis , the actual constitutive nature , of all sensuous structures . And so in a parallel sense not only of spatial elements , but of concretely exhibited temporal elements , durations of ...
... sensory variations are then the essential basis , the actual constitutive nature , of all sensuous structures . And so in a parallel sense not only of spatial elements , but of concretely exhibited temporal elements , durations of ...
Pagina 183
... sensory qualitative natures . We might live in the dark regions of incompleted impulse , at the mercy of subconscious organic processes never expressed or pos- sessed , but always possessing us in the disordered flux of what is often ...
... sensory qualitative natures . We might live in the dark regions of incompleted impulse , at the mercy of subconscious organic processes never expressed or pos- sessed , but always possessing us in the disordered flux of what is often ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words