Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 19
... sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu ...
... sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu ...
Pagina 42
... sensuous elements , namely sensuous relations . It will be clear too that both the elements and the relations are abstract , that is , distinguishable aspects of the concrete sensory content , but not experienced separately from it ...
... sensuous elements , namely sensuous relations . It will be clear too that both the elements and the relations are abstract , that is , distinguishable aspects of the concrete sensory content , but not experienced separately from it ...
Pagina 146
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words