Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina xxvi
... serial order of pitches . By " serial order " he simply means the relation of pitches at discrete points in the ... orders , since these very concepts are now used to explain techniques of serial composition by our most learned Amer- ican ...
... serial order of pitches . By " serial order " he simply means the relation of pitches at discrete points in the ... orders , since these very concepts are now used to explain techniques of serial composition by our most learned Amer- ican ...
Pagina 44
... serial relations constituting serial orders . But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these ...
... serial relations constituting serial orders . But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these ...
Pagina 138
... ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . of Next we found how natural conditions of the occurrence sensory elements having such ordered aspects , defined for apprehension ...
... ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . of Next we found how natural conditions of the occurrence sensory elements having such ordered aspects , defined for apprehension ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words