Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina xix
... simply say that it is a shift of attention that I might very well experience as I write these words at my desk . I have only to sit back and become aware of the desk's directly felt appearance ( its surface ) . I contemplate it for ...
... simply say that it is a shift of attention that I might very well experience as I write these words at my desk . I have only to sit back and become aware of the desk's directly felt appearance ( its surface ) . I contemplate it for ...
Pagina xxvi
... simply a means of demonstrating how nature provided a structural basis for composers to develop the major scale . Prall's way of extracting the scale from the overtones is not a hypothesis as to how it evolved histori- cally . He is ...
... simply a means of demonstrating how nature provided a structural basis for composers to develop the major scale . Prall's way of extracting the scale from the overtones is not a hypothesis as to how it evolved histori- cally . He is ...
Pagina 148
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words