AEsthetic Analysis |
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Risultati 1-3 di 36
Pagina 46
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for ęsthetics is not merely that a
...
By virtue of being what we call a single sound , a note has to be at a particular
pitch ; and to be at a particular pitch is to be at a point fixed in the single series of
all the pitches that there are . The important fact for ęsthetics is not merely that a
...
Pagina 135
All musical sounds are in one single pitch series , as all the variations of color are
in a single range of hues and in a single ordered series of degrees of brightness .
And to hear a note at a particular pitch is to hear a note in its relation to any ...
All musical sounds are in one single pitch series , as all the variations of color are
in a single range of hues and in a single ordered series of degrees of brightness .
And to hear a note at a particular pitch is to hear a note in its relation to any ...
Pagina 179
One of these is that they be coherent enough to be single presentations .
Otherwise they are simply not single things at all , not individual works of art , not
anything determinate and distinguishable from other things . And coherence in
works of ...
One of these is that they be coherent enough to be single presentations .
Otherwise they are simply not single things at all , not individual works of art , not
anything determinate and distinguishable from other things . And coherence in
works of ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole