Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 41
... sort of coherence . And structures are grasped as such only when we are already familiar with them as wholes or types , or with their kinds of elements and the kinds of relations native or possible to these elements in complexes . For ...
... sort of coherence . And structures are grasped as such only when we are already familiar with them as wholes or types , or with their kinds of elements and the kinds of relations native or possible to these elements in complexes . For ...
Pagina 94
... sort of pattern that we have not yet even so much as explicitly illustrated is the sort that is constituted abstractly out of the time - order , an order clearly distinguish- able from what we have called qualitative orders , as in ...
... sort of pattern that we have not yet even so much as explicitly illustrated is the sort that is constituted abstractly out of the time - order , an order clearly distinguish- able from what we have called qualitative orders , as in ...
Pagina 194
... sort of ignorance that the practice of asthetic analysis might help to dispel , along with the strange delu- sion that the world from some more microscopic point of view or by way of some more broadly inclusive angelic or divine type of ...
... sort of ignorance that the practice of asthetic analysis might help to dispel , along with the strange delu- sion that the world from some more microscopic point of view or by way of some more broadly inclusive angelic or divine type of ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words