AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 17
Every musical sound does . We distinguish sound from noise by just this
characteristic . And if sounds could not be relied on to have pitches , lying all of
them at fixed points in the long line of pitch itself , there would be no way of
following one ...
Every musical sound does . We distinguish sound from noise by just this
characteristic . And if sounds could not be relied on to have pitches , lying all of
them at fixed points in the long line of pitch itself , there would be no way of
following one ...
Pagina 46
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in
pitch than A . It is clear then that every sound ( and we distinguish sounds from
noises by just this criterion that they have clearly perceptible pitch ) lies in this ...
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in
pitch than A . It is clear then that every sound ( and we distinguish sounds from
noises by just this criterion that they have clearly perceptible pitch ) lies in this ...
Pagina 64
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole