Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 52
... spatial design not color design that is the characteristic dis- tinction . The parallel with music is still clear , though ob- viously not at all adequate . As colors are spread over sur- faces , so notes are extended through time , and ...
... spatial design not color design that is the characteristic dis- tinction . The parallel with music is still clear , though ob- viously not at all adequate . As colors are spread over sur- faces , so notes are extended through time , and ...
Pagina 53
... spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they if ... spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
... spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they if ... spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
Pagina 56
David Wight Prall. sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we ...
David Wight Prall. sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words