AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 3
... presentation of our world is just the ęsthetic field . Not qualities recognized
and tabulated and removed from their own felt mode of appearance , but qualities
concretely had . Not a hue at no specific intensity , or a hue of specific intensity ...
... presentation of our world is just the ęsthetic field . Not qualities recognized
and tabulated and removed from their own felt mode of appearance , but qualities
concretely had . Not a hue at no specific intensity , or a hue of specific intensity ...
Pagina 147
It fails to be the whole world simply because of human limitations in range of
apprehension , not through human thought processes , engaged in non -
ęsthetic response to discriminate specific aspects out of the presentation and
neglect the ...
It fails to be the whole world simply because of human limitations in range of
apprehension , not through human thought processes , engaged in non -
ęsthetic response to discriminate specific aspects out of the presentation and
neglect the ...
Pagina 186
If it is objected that to be a play at all requires fulfilling the definition of a play , the
answer is in the first place that if there is any such definition , it is necessarily in
very general terms , only the specific determinations of which in a given case ...
If it is objected that to be a play at all requires fulfilling the definition of a play , the
answer is in the first place that if there is any such definition , it is necessarily in
very general terms , only the specific determinations of which in a given case ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole