AEsthetic Analysis |
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Risultati 1-3 di 72
Pagina 53
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time ... And these intrinsic properties of all
spatial elements lend themselves to structure , carry structure in their very nature .
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time ... And these intrinsic properties of all
spatial elements lend themselves to structure , carry structure in their very nature .
Pagina 79
The fundamental pitch continuum is one necessary condition of this basic scale
structure ; the nature of the production of a ... And it is this natural selection out of
an ordered continuum that offers those infinite structural possibilities that have ...
The fundamental pitch continuum is one necessary condition of this basic scale
structure ; the nature of the production of a ... And it is this natural selection out of
an ordered continuum that offers those infinite structural possibilities that have ...
Pagina 137
Hence their relation is itself related to all the other relations in the series , and , as
concretely exhibited , becomes necessarily and for direct apprehension a
constituent of a structure when any other such elements are selected and added
to the ...
Hence their relation is itself related to all the other relations in the series , and , as
concretely exhibited , becomes necessarily and for direct apprehension a
constituent of a structure when any other such elements are selected and added
to the ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole