Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 19
... suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to neglect the ...
... suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to neglect the ...
Pagina 22
... suggested , by saying that æsthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatio- temporal . For any full grasp of the significance of such relations , whether in composing or ...
... suggested , by saying that æsthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatio- temporal . For any full grasp of the significance of such relations , whether in composing or ...
Pagina 82
... suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made familiar to men and acceptable - the yellow of gold or the brilliance of jewels against flesh or ...
... suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made familiar to men and acceptable - the yellow of gold or the brilliance of jewels against flesh or ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words