Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 94
David Wight Prall. more and more dubious the more strictly it is taken as an evaluating measure , that is , the more strictly it is taken as performing its purported function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis ...
David Wight Prall. more and more dubious the more strictly it is taken as an evaluating measure , that is , the more strictly it is taken as performing its purported function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis ...
Pagina 107
... taken as subdivided into smaller units , or whether the smallest units are taken as fundamental , and all longer units as groups of them . In musical notation , where the indicated divisions of time are relative ( a half - note half the ...
... taken as subdivided into smaller units , or whether the smallest units are taken as fundamental , and all longer units as groups of them . In musical notation , where the indicated divisions of time are relative ( a half - note half the ...
Pagina 122
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words