Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 97
... temporal pattern must have some specific rate , however variable , it is not this rate , not the fastness or slowness , that is the chief characteristic of the temporal patterns of verse . In music , rate is very important indeed . It ...
... temporal pattern must have some specific rate , however variable , it is not this rate , not the fastness or slowness , that is the chief characteristic of the temporal patterns of verse . In music , rate is very important indeed . It ...
Pagina 112
David Wight Prall. It is also true that even the temporal patterns of speech are less strictly measured and less ... pattern in verse in just the sense in which there is not a measured pitch pattern . If so , there must be measure and ...
David Wight Prall. It is also true that even the temporal patterns of speech are less strictly measured and less ... pattern in verse in just the sense in which there is not a measured pitch pattern . If so , there must be measure and ...
Pagina 119
... temporal scheme first and then feeling the increase and decrease of intensity in gestures so sensitively that the exact point of division is discriminated ... pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS 119.
... temporal scheme first and then feeling the increase and decrease of intensity in gestures so sensitively that the exact point of division is discriminated ... pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS 119.
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words