AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 97
While it is thus clear that every temporal pattern must have some specific rate ,
however variable , it is not this rate , not the fastness or slowness , that is the chief
characteristic of the temporal patterns of verse . In music , rate is very important ...
While it is thus clear that every temporal pattern must have some specific rate ,
however variable , it is not this rate , not the fastness or slowness , that is the chief
characteristic of the temporal patterns of verse . In music , rate is very important ...
Pagina 103
For of necessity the grasp of the pattern varies in definiteness and adequacy with
the degree of attention to the precise falling of the point of division on the single
line of temporal forward progress . Since our attentive processes will thus be ...
For of necessity the grasp of the pattern varies in definiteness and adequacy with
the degree of attention to the precise falling of the point of division on the single
line of temporal forward progress . Since our attentive processes will thus be ...
Pagina 121
we let our beat follow our own irregularities of sound production , or we let it
follow not the temporal pattern of music heard but its more prominent aspects in
pitch and loudness , thus missing its basic temporal structure altogether . Such a
...
we let our beat follow our own irregularities of sound production , or we let it
follow not the temporal pattern of music heard but its more prominent aspects in
pitch and loudness , thus missing its basic temporal structure altogether . Such a
...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole