Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 80
... tern does not constitute one of the arts , however great the rôle that color plays in painting or in such minor arts as pure geometrical design in glass and in fabrics . That there is color structure as such follows from the fact that ...
... tern does not constitute one of the arts , however great the rôle that color plays in painting or in such minor arts as pure geometrical design in glass and in fabrics . That there is color structure as such follows from the fact that ...
Pagina 105
... tern to be apprehended readily as clearly specified . In mu- sic , where also slightly increased loudness is the normal means of indicating the beginnings of measures , any ele- ment may take on increased loudness without changing the ...
... tern to be apprehended readily as clearly specified . In mu- sic , where also slightly increased loudness is the normal means of indicating the beginnings of measures , any ele- ment may take on increased loudness without changing the ...
Pagina 108
... tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and a measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not ...
... tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and a measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words