Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 39
... timbres of in- struments or differences in loudness and softness . But what musical notation indicates , so far as it indicates pitch , is an abstract aspect of sound . Pitch without a degree of loudness , without a given timbre ...
... timbres of in- struments or differences in loudness and softness . But what musical notation indicates , so far as it indicates pitch , is an abstract aspect of sound . Pitch without a degree of loudness , without a given timbre ...
Pagina 56
... timbre ; and spatial and temporal structures can appear only as qualitied . We keep " quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal ...
... timbre ; and spatial and temporal structures can appear only as qualitied . We keep " quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal ...
Pagina 76
... timbre of the fundamental ( which is the effect of all the partials in it combined in a distinctive quality ) ; the loudness necessary to our hearing either the fundamental or its partials , and to discriminating the intervals so ...
... timbre of the fundamental ( which is the effect of all the partials in it combined in a distinctive quality ) ; the loudness necessary to our hearing either the fundamental or its partials , and to discriminating the intervals so ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words