Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 136
... tion of color contrast between them in one or more of the series , a contrast that is directly apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute discernible form — in ...
... tion of color contrast between them in one or more of the series , a contrast that is directly apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute discernible form — in ...
Pagina 193
... tion . Or rather , it is with respect to sculpture that we have suffered most , and lost most , by our disingenuous or con- fused or naïve attempts to find in it something much more obvious and less significant , something much more ...
... tion . Or rather , it is with respect to sculpture that we have suffered most , and lost most , by our disingenuous or con- fused or naïve attempts to find in it something much more obvious and less significant , something much more ...
Pagina 207
... tion , 169 ; distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 ...
... tion , 169 ; distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words