AEsthetic Analysis |
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Pagina 16
David Wight Prall. effect , but as analysed into the order of the color variations . ...
If we could not depend upon this perfectly fixed , intrinsically ordered variation in
color , we could not count on the variations to give the specific effects intended .
David Wight Prall. effect , but as analysed into the order of the color variations . ...
If we could not depend upon this perfectly fixed , intrinsically ordered variation in
color , we could not count on the variations to give the specific effects intended .
Pagina 50
of color variation , all compactly illustrated in the familiar diagram of a double
cone . The neutral variations , white to black through the grays , are represented
along the vertical axis from upper to lower apex ; the saturated hues lie on the ...
of color variation , all compactly illustrated in the familiar diagram of a double
cone . The neutral variations , white to black through the grays , are represented
along the vertical axis from upper to lower apex ; the saturated hues lie on the ...
Pagina 51
a set of variations along a dimension that constitutes a series just as clearly as
the sets of variations along the ... For all that we wish to establish is that every
color variation is to be found somewhere in the scheme , and that therefore every
...
a set of variations along a dimension that constitutes a series just as clearly as
the sets of variations along the ... For all that we wish to establish is that every
color variation is to be found somewhere in the scheme , and that therefore every
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole