Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 16
... variation in color , we could not count on the variations to give the specific effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is only one of at least three systematic ...
... variation in color , we could not count on the variations to give the specific effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is only one of at least three systematic ...
Pagina 50
David Wight Prall. of color variation , all compactly illustrated in the familiar diagram of a double cone . The neutral variations , white to black through the grays , are represented along the vertical axis from upper to lower apex ...
David Wight Prall. of color variation , all compactly illustrated in the familiar diagram of a double cone . The neutral variations , white to black through the grays , are represented along the vertical axis from upper to lower apex ...
Pagina 51
... variations is guided by relations peculiar to color and not strictly parallel to the relations that make up musical scales . For in color , although hue is perhaps funda- mentally characteristic , variations in hue are no more sig ...
... variations is guided by relations peculiar to color and not strictly parallel to the relations that make up musical scales . For in color , although hue is perhaps funda- mentally characteristic , variations in hue are no more sig ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words