Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 36
... various grades of steepness ; it is wet or dry , hard or soft ; it is light or dark , and it may be dangerous or safe for a thousand different reasons , because it is much or little traveled , or because it runs along the edge of a ...
... various grades of steepness ; it is wet or dry , hard or soft ; it is light or dark , and it may be dangerous or safe for a thousand different reasons , because it is much or little traveled , or because it runs along the edge of a ...
Pagina 61
... various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature . That is to say , we require some de- gree of familiar intimacy with our world ; and since we are human beings , it is humanly ...
... various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature . That is to say , we require some de- gree of familiar intimacy with our world ; and since we are human beings , it is humanly ...
Pagina 108
... various traditional ways , indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and a measure with a pattern of ...
... various traditional ways , indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and a measure with a pattern of ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words