Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 111
... verse to music in this same respect of temporal pattern . The musical quality of verse is a loose phrase for many aspects of verse which in some cases have the same nature and in some cases a very different nature from aspects of music ...
... verse to music in this same respect of temporal pattern . The musical quality of verse is a loose phrase for many aspects of verse which in some cases have the same nature and in some cases a very different nature from aspects of music ...
Pagina 117
... verse like ballad metre , for example , is described as if in time and in rhythm the alternate lines were of different temporal length . And the smooth , familiar , three- measure line of blank verse is described as pentameter ...
... verse like ballad metre , for example , is described as if in time and in rhythm the alternate lines were of different temporal length . And the smooth , familiar , three- measure line of blank verse is described as pentameter ...
Pagina 118
... verse form will be built up by either misapplied classical terms or loose musical analogies . What seems to be required is an attempt first to discern the tem- poral pattern itself and the constituents of verse form as temporally ...
... verse form will be built up by either misapplied classical terms or loose musical analogies . What seems to be required is an attempt first to discern the tem- poral pattern itself and the constituents of verse form as temporally ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words