AEsthetic Analysis |
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Pagina 106
be used very broadly to mean the ictus in the tensionrelaxation experience ,
which , as we have seen , is highly characteristic and perhaps predominant in
concrete verse presentation and its apprehension . Monosyllables are accented
or not ...
be used very broadly to mean the ictus in the tensionrelaxation experience ,
which , as we have seen , is highly characteristic and perhaps predominant in
concrete verse presentation and its apprehension . Monosyllables are accented
or not ...
Pagina 117
The counted number of feet as constituted solely of syllables , instead of being
made up in part of time unfilled by any sound , is so completely artificial a
description of measured lines that verse like ballad metre , for example , is
described as if ...
The counted number of feet as constituted solely of syllables , instead of being
made up in part of time unfilled by any sound , is so completely artificial a
description of measured lines that verse like ballad metre , for example , is
described as if ...
Pagina 118
But it is hard to believe that any adequate account of verse form will be built up by
either misapplied classical terms or loose musical analogies . What seems to be
required is an attempt first to discern the temporal pattern itself and the ...
But it is hard to believe that any adequate account of verse form will be built up by
either misapplied classical terms or loose musical analogies . What seems to be
required is an attempt first to discern the temporal pattern itself and the ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole