AEsthetic Analysis |
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Pagina 64
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
Pagina 67
a е с same n a vibration rate three times that corresponding to the pitch of the
fundamental . Since dividing the length of the string into halves doubles the
vibration rate , and into thirds multiplies the rate by three , instead of speaking of
a note ...
a е с same n a vibration rate three times that corresponding to the pitch of the
fundamental . Since dividing the length of the string into halves doubles the
vibration rate , and into thirds multiplies the rate by three , instead of speaking of
a note ...
Pagina 71
ng the pitch Let us consider the rate of vibration giving tl of the fundamental to be
x . Thus x vibrations per second gives the pitch of the Tonic . The halves of the
string will vibrate at the rate 2x . This rate produces a sound at the pitch called the
...
ng the pitch Let us consider the rate of vibration giving tl of the fundamental to be
x . Thus x vibrations per second gives the pitch of the Tonic . The halves of the
string will vibrate at the rate 2x . This rate produces a sound at the pitch called the
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole