Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 64
... vibration that produce musical sounds at determinate pitch intervals . A few further facts are basic . Larger bodies vibrate more slowly than smaller ones , and sounds produced by slower vibrations are at lower pitches than sounds ...
... vibration that produce musical sounds at determinate pitch intervals . A few further facts are basic . Larger bodies vibrate more slowly than smaller ones , and sounds produced by slower vibrations are at lower pitches than sounds ...
Pagina 65
... vibration vary inversely with the length of the vibrating string . That is to say , the vibrations of the half - lengths are at twice the rate of the whole , those of the thirds at three times this rate , those of the fifths at five ...
... vibration vary inversely with the length of the vibrating string . That is to say , the vibrations of the half - lengths are at twice the rate of the whole , those of the thirds at three times this rate , those of the fifths at five ...
Pagina 71
... vibration rate of 3 gives a note above the octave , which we may bring down into the octave between the Tonic and the octave above it by dividing by 2. This is the vibration rate 2 , the pitch corresponding to which is thus the nearest ...
... vibration rate of 3 gives a note above the octave , which we may bring down into the octave between the Tonic and the octave above it by dividing by 2. This is the vibration rate 2 , the pitch corresponding to which is thus the nearest ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words