Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 5
... whole panorama presented to us through our senses , the surface of our experienced world , is the field of the aesthetic . But this appears to be the whole field of human expe- rience , the whole world as directly felt . It is simply ...
... whole panorama presented to us through our senses , the surface of our experienced world , is the field of the aesthetic . But this appears to be the whole field of human expe- rience , the whole world as directly felt . It is simply ...
Pagina 65
... whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the fractions of the string . The pitch given by the vibration of the string as a whole is called the fundamental , the pitch of ...
... whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the fractions of the string . The pitch given by the vibration of the string as a whole is called the fundamental , the pitch of ...
Pagina 155
... whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate feeling is apprehending the constituents ...
... whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate feeling is apprehending the constituents ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words