AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 65
because the part is smaller than the whole and therefore vibrates more rapidly .
But when a string is vibrating as a whole , its parts are in general also vibrating as
parts , the halves giving their pitch , the thirds theirs , the quarters theirs , the ...
because the part is smaller than the whole and therefore vibrates more rapidly .
But when a string is vibrating as a whole , its parts are in general also vibrating as
parts , the halves giving their pitch , the thirds theirs , the quarters theirs , the ...
Pagina 147
itself is not the whole of everything , not the whole world , but just this perspective
. Abstraction is involved in absorbed attention to a given content in two ways only
, as its condition , which is previous activity making it capable of complete ...
itself is not the whole of everything , not the whole world , but just this perspective
. Abstraction is involved in absorbed attention to a given content in two ways only
, as its condition , which is previous activity making it capable of complete ...
Pagina 166
And in that case our analysis would fail , because , not seeing what the
constituents were constituents of , we should not grasp them in their functional
relations to one another or to the whole . The case is not unlike that of a statistical
table in ...
And in that case our analysis would fail , because , not seeing what the
constituents were constituents of , we should not grasp them in their functional
relations to one another or to the whole . The case is not unlike that of a statistical
table in ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole