Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 122
... words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second ...
... words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second ...
Pagina 127
... words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead of being directly expressive , though a little sweeter and tenderer for the simple ...
... words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead of being directly expressive , though a little sweeter and tenderer for the simple ...
Pagina 164
... words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents meanings . When an indirect symbolic medium like language functions æsthetically , it is in two ...
... words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents meanings . When an indirect symbolic medium like language functions æsthetically , it is in two ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words