Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
Dall'interno del libro
Risultati 1-3 di 17
... alternative to G. Since each world has the same individuals as itself , more generally , since every world is an alternative to itself , the relation R is called reflexive . The relation R can be modified so as to include other criteria ...
... alternative of the actual world G , which means that for this speaker propositions true in H are possible in G. Notice that the set Ph being very large , the reader knows only a small part of it ; consequently , when con- fronted with a ...
... alternative view is equally de- fensible . If structural qualities occasionally do grow wild ( incom- pleteness today , for instance , not unlike allegory in the late medieval literature or layers of meaning in baroque or mannerist ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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