Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... association between the name and the referent to an original baptism . This requirement is intended to rule out situations in which a proper name is mistakenly used . Suppose that someone who is listening to a recording of the Well ...
... association with Andreas ' ghost , the spectator contemplates the play from the more obviously fictional side , in contrast to which the stage appears to be situated on the side of reality . A similar handling of the borders between ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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