Harvard University Press, 1986 - 178 pagine
Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being.
Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order.
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Ryle noticed that propositions about Mr . Pickwick , at least those found in The
Pickwick Papers , contain a designating term and a series of predicates . But
some expressions and sentences simply look like designations when they are
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Since his definition of worlds makes use of maximality or completeness , books
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In Plantinga ' s view , an unproblematic correspondence relates each of these
worlds to a book assumed to contain all ... I labeled Magnum Opus the set of
books about the universe written in some language L . The Magnum Opus
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Moving beyond the structuralist focus on narrativity as a model for literature, this book undertakes a global theory of fictionality at the level of cultural anthropology. It draws on philosophical ... Leggi recensione completa
of the Imaginary
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