Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... conventions and are fully known by the members of the community ; that marginal or nonserious behavior involves a suspension of the serious conventions and their replacement by specific conventions of " parasitic " speech , equally well ...
... conventions that includes nonexplicit contracts . Lewis ' position comes close to Hume's definition of convention as " a general sense of common interest , which sense all the members of the society ex- press to one another , and which ...
... conventions of narratives . How do we know that a certain discourse or textual development is a narrative ? In a similar way , the answer runs , to our mechanism for accepting that a certain ... conventions will thus Conventions · 125.
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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