Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... correspondence between the components . A complex struc- ture formed by two components can be called a dual structure . Based on Evans ' elaboration of Walton's theory , we can analyze the mud- pie game as a tiny dual structure made up ...
... correspondence , whose role is to ensure the correct grasping of the structure of the secondary ontology as both different from and based upon the primary ontol- ogy . Discourse - oriented analysis of fiction claims that fictional terms ...
... correspondence between the texts and com- pendia . In the end , humans can understand the fallen genie even less than can his former fellow angels . But his journey has not been in vain ; if earlier he had understood that heteronomy ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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