Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... descriptions of certain entities , such that the description " x cannot make decisions in due time " can be found in both sets . The equivalence between names and sets of descriptions extends to fictional names as well , since it is ...
... descriptions associated with the names of John and Hamlet . We are free to compare John and Hamlet despite the lack of denotation of the latter , since a standard Russellian representation of the sentence protects the user from unwanted ...
... descriptions related to this name are obscure and noncommital ; they could not possibly serve as identifying descriptions in Donnellan's sense . Still , before long , the spectators know that there is some entity , called Ugolo , who ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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