Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... knowledge is an essential feature of knowledge , A. D. Woozley and Alan White argued against the psy- chologizing of knowledge and in favor of dissociating the feeling of certitude from knowledge . Such a dissociation applies to belief ...
... knowledge , they bestow a sense of fulfillment upon our textual adventures . The same is true of book illustrations : looking at the etchings of Gustave Doré for Rabelais's Gargantua , we recognize the figure of the giant hero not by ...
... Knowledge of Schopen- hauer's and Nietzsche's writings helps to perfect our grasp of The Magic Mountain but not necessarily of Molloy or La Route des Flandres . The relationship between world dimensions and text dimensions determines ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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