Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... literary mythocentrism may be characterized as the strategy of focusing the literary inquiry on narrative phenomena , so as to mar- ginalize other aspects of the text and to make them appear dependent on plot . Barthes's contention that ...
... literary studies . Some of the doctrines it gradually adopted ( phonologism , mythocentrism , semantic fundamentalism , textolatry , and the antiexpressive stand ) led nevertheless to a premature arrest of the theoretical advances and ...
... literary criticism ; it has stimulated reflection on the definition of literature and literary genres , contributed exten- sively to analyses of poetry and drama , and served as a basis for a semantic approach to fiction . One of the ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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