Harvard University Press, 1986 - 178 pagine
Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being.
Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order.
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Alexis Meinong ' s theory of objects , one of the chief targets of Russell ' s attacks ,
has attracted renewed interest . 11 A partisan of ontological tolerance , Meinong
assumed that since every actual object consists of a list of properties , one can ...
In order to confine fictional objects to their texts , Parsons distinguishes between
characters or objects native to a story , immigrant objects , and surrogate objects .
The natives can be extranuclearly described as invented or created by the ...
We do not , however , want to see all nonempirical beings granted the same
status ; the ontology of fiction needs objects that look closer to those of the
everyday universe than to mathematical entities and yet cannot be literally
admitted to the ...
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Moving beyond the structuralist focus on narrativity as a model for literature, this book undertakes a global theory of fictionality at the level of cultural anthropology. It draws on philosophical ... Leggi recensione completa
of the Imaginary
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