Harvard University Press, 1986 - 178 pagine
Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being.
Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order.
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Given the perennial influence of linguistics on literary structuralism , an obvious
choice was offered by transformational - generative grammar , whose theoretical
endowment included a devastating critique of structuralism in linguistics .
... classical segregationism a supplement of flexibility ; subsequent developments
in speech - act theory provided for a systematic account of pragmatic factors in
linguistic exchange , and offered segregationism a fresh theoretical framework for
A different type of fictional expansion is offered by the medieval romance . We
may assume that the legendary characters present in The Quest of the Holy Grail
were taken by the public to have actually existed . But there should be little doubt
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Moving beyond the structuralist focus on narrativity as a model for literature, this book undertakes a global theory of fictionality at the level of cultural anthropology. It draws on philosophical ... Leggi recensione completa
of the Imaginary
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