Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... possess a set of propositions he believes in , and a machinery able to select quickly for each of the assertive utterances the corresponding sentence belonging to the set believed to be true . When the speaker utters a sentence , the ...
... possession of the means for determining whether an object is an elm , a gnosis , or a werewolf . According to Putnam ... possess qualities such as sincerity , ability to argue about assertions , and readiness to accept their consequences ...
... possesses qualitative pred- icates . Moreover , one should consider the possibility that the same universe could be ... possess an irreducible plastiticity , such that there is no priv- ileged vantage point from which to direct the ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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